With a program ranging from exotic timbres and dramatic cello lyricism to fiery, fantastical orchestral splendor, the SOV Symphony Orchestra Vorarlberg under Valentin Uryupin presents itself as a versatile ensemble. Works by Garayev, Tsintsadze, and Stravinsky create an evening that ranges from dance-like elegance to orchestral explosion.
At the Montforthaus Feldkirch and the following day at the Festspielhaus Bregenz, the Vorarlberg Symphony Orchestra will present a concert that explores the rich expressive possibilities of the symphonic repertoire. Under the baton of conductor Valentin Uryupin, listeners will experience an evening that opens up vast emotional and stylistic spaces.
The concert begins with a selection from Gara Garayev's ballet suite The Seven Beauties: a colorful introduction that showcases the musical richness of the Caucasian composer, combining dance rhythms, folkloric echoes, and orchestral sophistication. The work fills the stage of classical ballet with vibrant timbres, while also offering a glimpse into the connection between dance music and symphonic expression.
The evening centers on the Concerto for Violoncello and Orchestra No. 2 "In Five Episodes" by Sulkhan Tsintsadze, one of Georgia's most important composers. This four-movement work unfolds in a dense, dramatically expressive language in which the cello speaks to the orchestra as the voice of the soul. Soloist Maximilian Hornung performs this multifaceted role with great presence and technical sensitivity, creating a thrilling balance between lyrical intimacy and powerful orchestral dialogues.
The grand finale is the suite from Igor Stravinsky's ballet The Firebird (1945 version). This celebrated work from the early 20th century combines Slavic folklore with fiery orchestral colors and mythologically charged themes. From the mystical ascent of the Firebird to the dance highlights, the music unfolds an energetic sound world that captivates the audience.
Concert 6 spans a wide range from spirited sound culture to chamber music depth to the orchestral fervor of modernism—an evening that impressively showcases the interpretive power and stylistic diversity of the SOV.
April 12, 2026
